Immortality Cultivation Era - Chapter 920 - Encircle in Confinement

Mediocre is a common characteristic of the majority. But when someone outstanding appears beside you, your life will change because of him. That’s the principle of ‘who you mix around with is a reflection of yourself.’ The doctor in charge of the Three Flavour Hall will change everything. You can raise a campus belle, a CEO beauty…

Eighty years ago, Qi Shijiang was a crosstalk artist who was a good performer.

Eighty years later, he borrowed a body to resurrect himself in the entertainment circle.

Despite living again, it’s really not easy to reenter the old profession.

As far as this face is concerned, no one believes that he is talking about crosstalk. No one believes that he does not rely on his face to eat.

– What is the use of this magnificent beauty? ?

- Description from Novelupdates

Jiang Chaosheng has passed the book. The male protagonist is the reborn prince with excellent luck, and he is the cannon fodder prince who is destined to fail in the palace fight. He is about to be sent to the desolate island in the extreme south, and the fiefs are less than 100 people.

Jiang Chaosheng sunbathed salt, fished… He soon prepared abundant supplies for the rest of his life, but there was an accident when he was eating and waiting to die. He was slow to discover that there were fish thieves in the house!

Jiang Chaosheng set a trap and successfully caught the fish thief on the spot
It was a beautiful merman with eyes like emeralds and hair like sapphire
The poor little merman has a slender waist, glistening scales, and a pitiful posture: I can’t afford the supplies, but I can be your wife and give birth to a little mermaid to repay you
Jiang Chaosheng: Also… not impossible
After a long time, Jiang Chaosheng learned that his wife is actually the villain of the original text, the psychological shadow of the male protagonist Long Aotian, the King of the Sea who is rich in the sea.
The lucky salted fish attack vs the cruel shark emperor
Content tags: childbirth, spirits, ghosts, sweet texts, through books
Search keywords: Protagonists: Jiang Chaosheng, Ji Xuanbing ┃ Supporting roles: ┃ Others:

- Description from novelbuddy

Fast-paced and sizzling with a forbidden enemies-to-lovers romance, My Fault is the first book in Mercedes Ron’s Culpable trilogy. This suspenseful YA series untangles the threads of love, trauma, and secrets, perfect for fans of Ugly Love and After.Noah and Nick’s relationship started with the most passionate of fires, but after Noah’s mistake, it might have all just gone up in smoke. Nick can’t forgive her. Can’t trust her. Can’t be with her—but he also can’t stay away from her, no matter how he tries. And their inevitable crash back together will ignite the wildest flames yet. But Nick and Noah’s red-hot collision course is marked with a new and dangerous set of challenges, and the stakes aren’t just broken hearts—they’re life and death. The two will have to decide once and for all if they are truly made for each other, or if burning everything to the ground is their only chance at a future. Love might not be enough to save them, and sometimes even | forgiveness can’t fix what’s been broken.As the translator of the Culpable trilogy series Culpa Mia,Culpa Tuya,Culpa Nuestra ; by Mercedes Ronn, it is important to address the readers with a respectful permission and advice. Firstly, it is important to acknowledge that the story belongs to the author and all rights are reserved to her. As the translator, I've been granted permission to translate the story into English for a wider audience. Secondly, it is important to advise the readers to approach the story with an open mind and respect for the cultural and societal norms presented within it. The story is set in Spain and deals with themes such as love, family, and societal expectations. Some readers may not be familiar with these themes or may have different perspectives on them, but it is important to approach the story with an open and respectful attitude. Lastly, any criticism or feedback should be constructive and respectful towards the author and the translator. Personal attacks or derogatory comments will not be tolerated and will be addressed accordingly. The goal is to share the story with a wider audience and promote cultural understanding and appreciation.