MTL - Blade and Sword God Sovereign - ~ Chapter 2, wonderful new world

For every supporting female character who never realized her dreams, fulfill their wishes.Earn Points, and fulfill your own wishes.Who says supporting characters must always be stepping stones?Supporting females need not become a protagonist, but they can quietly watch from the sidelines.

Mortal cultivation, resurgence.

Time and space shuttle, reversal of reincarnation.
Jinxian Taiyi, Da Luo Daozu.
Three thousand avenues, the law of supreme.

“Faculty of Immortal Immortal” is a fairy tale, a story of Han Lizhen’s fairyland, a legend of a mortal kid who cultivates immortals.

- Description from Ptwxz translation

The Supernatural era descended, the rules changed, mystery arrived, and the world altered. Countless ruins of civilization emerged, and an abundance of Heavenly Materials and Earthly Treasures lay at everyone’s fingertips. Radical faction, “This is the best of times, entering a new world, excavating relics, mass evolution!” Conservative, “This is the worst of times, with countless monsters outside, once you leave the Safe Zone, extinction awaits humanity!” … Meanwhile, at a remote ruin, Lu Yuan successfully discovered new treasures and sought after the mysterious wealth, desperately trying to contact his fellow Earthlings. “Found a communicator, can it get through?” “Hey, humans—I’m almost becoming a god, and you’re still hiding in the Safe Zone?”

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.