MTL - Guide on How to Fail at Online Dating - Chapter 58

Heroes are divine beings that are not only powerful themselves, but able to augment the troops they lead with greater power.“Heroic Genesis”, a world-class online game developed by the United States, China, the European Union, Russia, India, Japan, and South Korea combines fantasy, adventure, war, trade, territory construction, navigation, sports, and leisure.Every gamer in the world is fanatical about it, and the top gamers in various countries shine on the stage of the national wars.Dafei, a former internet addiction treatment expert, sees the infinite business opportunities available in Hero Genesis after quitting gaming for many years and joins the game with the aim of becoming a professional player.The whole world is filled with positive energy because of him.

[Mature content.]

Chloe Carlson, 35, was a married woman living with her cheating husband— Vincent Gray, and their daughter— Mackenzie.

Her failing marriage led her to file a divorce after 10 years, but her husband refused to sign it.

“I know what you want Chloe, you want my money after we divorced. You want to take everything from me and I will not let that happen!” Vincent accused.

“I don't need your Money, Vincent! I just want to take Mackenzie with me and leave!”

At last, she left her bastard husband without taking a cent from him. She was going to carve her own path in life and give her daughter the best in the world.

However, things aren’t working so well with a single mother like Chloe. It was difficult to find job because she was a housewife without qualification for a long time. Thus, in desperation as she needed to care for her daughter, she only had one way out.

She contacted her brother-in-law— Vernon Phoenix Gray, 25, a young, heartless playboy, who happened to be the CEO of a skyrocketing company, asking him for a job in this tough time.

“A job? That's not an issue. You can work as my personal assistant and take care of all my daily needs.” Vernon smirked and leaned in. “Especially in bed,” he whispered in her ear.

—

Would Chloe fall into the hands of her evil brother-in-law and become a slave of his whim?

Or would she return to her abusive scum husband for their daughter’s future?

—

Note: There is an age gap in this story,

Chloe is 35 years old.

Vincent is 35 years old.

Vernon is 25 years old.

Teela married King Heavenly because she loved him, but life in the Heavenly household was anything but euphoric. Lettie, her hard-as-nails mother-in-law, treats her like an unpaid servant. The family treats her like an outsider. King treats her like a shadow, transparent and forgettable.When Lettie presses Teela to prove her value to the family or get out, Teela has a decision to make. But she’s not leaving without a fight.King Heavenly rules Heavenly Industries with an iron fist, but he leaves his home life to his mother to manage, and that includes the management of his boring little wife. Teela has never complained. She’s never done anything interesting, for that matter. She’s just one more responsibility in a long line of responsibilities that King shoulders on a daily basis, and that is exactly how he treats her — as a responsibility that he’s delegated to his mother.Suddenly Teela steps out of the shadows and into a fight with him and his whole family, and King is baffled by the ruthless actions of his now daring wife. He’d always heard that vengeance is a dish best served cold, but Teela is coming in hot!

“Starting from here is where you will create Civilization”. It was the first sentence heard by over a million different players.

A new VR game is released in a more advanced world than ours. A game where the objective is to start from nothing and make something with your own hands much like our ancestors.

Build a village, build a city, build a kingdom, forge friendships and keep your friends close. Make weapons and grow stronger.

What will our protagonist do in this world? And will the real world affect him in any way?

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.