The Doctor Who Loves Me - Chapter 500: What’s Not Meant To Be Will Never Be

What would happen in a world governed by the Ascendants, the highest level people in the System, when the System itself resets due to the death of its creator? When the levels, classes, skills, and even Legendary Feats of every user are wiped, and everyone is sent to a new dimension to start all over again? Alexia, on what should’ve just been her very first Dungeon dive in the Royal Dungeon, finds her life, her body, and her entire world changing after the Creator of the System itself forces her to kill him, resetting the System entirely. But after being turned into a quantum reaper and given the powerful quantum element as a ‘prize’ for her Legendary Feat, will she thrive? Or will she fall? What to expect: Quantum Magic using Main Protagonist, Anti-Hero Protagonist, System Reset, Polearm using Protagonist in terms of their weapon, and LitRPG. What not to expect: Magic to follow science and reality based on quantum mechanics. There will be some skills that will have some relation to quantum mechanics in the much later books of the story, but definitely not at the start, and not too deeply related. Do not expect magic to follow laws of science. The world that the main character is in prior to the Reset is not a modern world. It is more similar to a fantasy world with swords and sorcery in terms of the morals and ethics of the people just with modern technology. Furthermore, Alexia is twenty years old. Furthermore, the vast majority of the reviews are out of date due to me editing the story as it goes on.

Fang Zhou transmigrated into the immortal cultivation world, and the first thing he did was personally cancel his engagement.As a straightforward and macho man, he decided to cancel the engagement to a beautiful girl with a great figure.In this world where men were inferior and women were esteemed, the righteous were women, the villains were women, the cultivators were women, and even the gods who created the heavens and earth were women.Female warriors robbed the rich to help the poor and explored the world with their swords. Men, on the other hand, had to be cautious when going out so that they could protect themselves, lest they be robbed of their wealth and dignity, leaving them with nothing.Transmigrating into such a world, Fang Zhou, a handsome man who was desired wherever he went, felt immense pressure. Girls wanted to play with him and even tried to capture him and take him home.For the sake of his own life, Fang Zhou had no choice but to fight against women to the end.“Get lost, you annoying woman! Don't disturb my cultivation!”

This is the first part, the second part is “Playing Fish Trapped in a Secret Room (密室困游鱼 Mi Shi Kun You Yu)”.

In 2007, at the WCG Asian Tournament in Singapore. In just a few hours time, between left and right hands, there goes a life and death battle. In the Chinese team that year, there is a professional player who’s only 15 years old, nicknamed “God’s Left Hand”. At that match, he sits right next to her.

Their professional lives start from 14 years old until they retire, disappear, at 25 years old.

In these non-mainstream tournaments, where a small niche of the population follows closely, their only possessions are a mouse, keyboard, and headphone each. There they won gold medals one after another for China.

A college student was returning home after studying abroad for several years when the end of the world happened. A dragon appeared out of nowhere and attacked the plane he was in, thanks to an incredible amount of luck and his quick-thinking, he managed to survive the plane crash only to get stuck on a tropical island. A weird system took over the world and brought monsters to Earth. While nations collapsed and the world as a whole was being destroyed by ridiculous monsters, Leon was stuck on a godforsaken island with no chances of being rescued. What will happen to him? How will the world change while he is away? Will he even manage to return? The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.