Archean Eon Art - Chapter 53: One Man, One Blade

Swordmaster Karyl MacGovern.

He returned to the past, wanting to rewrite the future he was unable to change with his sword alone. And this time, he would acquire the power that once eluded him—magic.

This time, he would master both sword and magic, and stand on the peak.

Joseph Knox, one of the most prolific and well-known serial killers on the planet.A person considered so demented and manic that even trying to reason with him was believed to be a waste of time. A man so far gone that he seemingly didn't deserve any pity even on his deathbed.So why? Why would a man like him receive a second chance? And why did the world around him seem so familiar?Disclaimer: AU when it comes to some parts of Madara's plan(I'll try to make it make sense at least), and aliens don't exist in this world

This story is centered around the man named Yi Ji-Hyuk, who has spent 1000 years in a Medieval Western fantasy-like world before returning back to the modern-day Earth. When he returns, he finds that his home is facing monster threats, and that humans with superpowers have appeared to protect the innocent people of Earth.

After losing his parents in a car accident, Ryan immediately caught his fiancee cheating on him with his best friend. In just a few days, he lost everything he loved, so Ryan decided to buy a house in the mountains to process all those events. However, something happened before he could even enter his new home: the end of the world. Monsters began to appear out of nowhere, and dragons began to dominate the skies. After losing everything, Ryan, who had lost his sense of reality, found new goals with the world in that state: survive and get stronger. Dungeons, classes, monsters, skills, the chance to obtain the DNA of other monsters... Ryan was decided to use them all because he no longer would become a spectator in his own life. Maybe with power, he won’t lose anything anymore. The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred.